Volume 37, Issue 1
Are you being rhetorical (enough)?
Judy Tarling shows how classical rhetorical strategies can be applied to musical performance.
Laura Schmid: A profile and review
Sarah Langdon tells us about the
up-and-coming young German performer
What’s the Point of Alternative Fingerings? Alternative to what?
Peter Bowman discusses pitch, note length, loudness and tone colour in the first of a series of technical articles
Centrespread: Love and Kindness by Allan Herbie Jones